Hello! In my work, I get to meet so many wonderful writers and illustrators at all stages of their children’s publishing journey. It inspired me to create this space for tools, tips, and resources for children’s book creators.

The Fundamentals

When I first started writing picture books, I thought, “How hard could this be?” I read picture books to my kids. They seem simple enough! Well, I quickly had a reality check. Writing picture books is a very competitive space; there are several thousand people writing books, and a small number of publishers publishing them. Only by truly understanding the medium and the publishing industry’s needs did I realize my big dream.

Courses: Before you can do the work, you have to learn the work, and I recommend these sources:

• Highlights Foundation: Visit https://www.highlightsfoundation.org/upcoming-workshops/ and find their latest Intro to Picturebooks class. If you can’t find one, email them, and they will let you know when one launches. The Highlights team is the nicest and invested in uplifting writers and illustrators. (Disclaimer: I am a Highlights Muslim Storyteller Fellow)
• Storyteller Academy: Visit https://www.storytelleracademy.com/ When I started writing picture book manuscripts, my husband gifted me a Storyteller Academy membership for my birthday. I think I took every class they had available and participated in a hundred live classes. Only by putting in the work every day did things finally start to click. (Disclaimer: I teach the Social Media Mini-Course at StorytellerAcademy.)

Specifically for Illustrators:

• School of Visual Storytelling: Visit https://www.svslearn.com/. I am a fan of their podcast and have not tried their courses. But definitely want to in the future!
• Let’s Make Picture Books: Visit https://www.letsmakepicturebooks.com/. In 2020, I took a year-long course on building a portfolio. But since then, Steph has changed the format of the program to be seasonal programming on different topics.

Books: To write, first you have to read broadly.

Often, when aspiring writers tell me about their picture book idea, I know of a similar book. That’s because I read so many picture books. The existence of a similar book is not a deal-breaker, as long as you have a new twist. But another reason why the foundation of writing picture books is reading picture books.

In addition to picture books, here are some craft books that are currently in my bookshelf:

• The Artist’s Way by Julia Cameron
• Writing Picture Books by Ann Whitford Paul
• Picture This by Molly Bang
• Writing with Pictures by Uri Shulevitz
• The Magic Words by Cheryl Klein
• Emotion Thesaurus

Critiques: A critical piece of writing and illustrating is getting critiques. In my early career, I found a few great opportunities for critiques.

• #12×12: Visit https://www.12x12challenge.com/. Julie Hedlund has built an amazing community for picture book creators. As a member, you have access to the forums where you can form critique groups. You can also drop a manuscript in the forum for community critique.
• Illustration Dept: Visit https://illustrationdept.com/ I have not attended, but I hear this is an opportunity for illustrators to receive feedback every Thursday.
• 3 Point Perspective Podcast: Visit https://youtube.com/playlist?list=PLJ4nQ9j1MAnYnE8ljn3wt8BC3Of4At_Dj&si=Yx1d1YINPfdR9rZO. I often listen to this podcast when I am drawing. The hosts offer incredible advice on being a children’s illustrator, but also provide paid critiques.

I wanted to follow a traditional publishing path for my book, but many authors and illustrators find success self-publishing on Amazon and related platforms. When I think of leaders in self-publishing education, I think of Miral Sattar. You can visit her website https://learnselfpublishingfast.com/ for more information!

If you are leaning toward the traditional path, then here are a few things to know. Most publishers (especially the “Big 5”) do not take submissions from authors/illustrators. In traditional publishing, agents submit on behalf of the author or illustrator. Yes, there are several publishers that will take un-agented manuscripts, but I think to be a career author, it’s better to have an agent. Agents are your advocates and business representatives; they serve an important role. Also, I love my agent; I wrote all about it on the 12×12 blog. But, on the traditional path, expect a lot of waiting, waiting for contracts, waiting for feedback, waiting for dates. Traditional publishing is slow. That is not a reflection of the commitment of editors and art directors; it’s a reflection of all the work they have to do to meet the gold standard of traditional publishing.

The mistake that most people commit early in their journey is querying too soon. That means sending a manuscript to an agent before you are ready. And what does ready look like? Here are some broad strokes:

• At least 3 polished manuscripts: Do you have 3 manuscripts that have been critiqued, revised, put away, and revised again, and again, to form polished manuscripts?
• Have you read 100 books in your genre (e.g., picture book, nonfiction)?

Once you have completed the above tasks, you can start querying. I highly recommend you read the 12×12 blog post about how I got my agent. Not all agents and agencies are created equal. It’s important to find an agency with reputable authors and illustrators, and someone you have a great gut feeling about.